It seems the giallo is undergoing something of a resurgence. The oh-so-Italian genre, a lurid mix of psychological horror, crime thriller, melodrama and sexploitation, was one of Italian cinema’s biggest outputs in the 1960s and 70s, but sadly faded from prominence in the decades that followed.
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lgbtq
One of the masterstrokes of the film is the relationship between Eleanor and Theo. It is one of the first films to portray an LGBT character in a genuinely positive way, and Claire Bloom’s performance as Theo is key to this. Theo is hip, modern and smart, and her attraction to spinster Eleanor is handled in a mature and sensitive manner.