Matt Rogerson takes a look at perhaps the most accomplished horror of Black Cinema, Bill Gunn’s Cannes Critic’s Choice prize-winner from 1973.
Viewing entries tagged
retrospective
Andrzej Żuławski is the conductor that keeps his audience focused on the orchestra of horror that lies beneath modern relationships. What causes most marriages to fail because people refuse to look beyond the veil of the honeymoon stage, expecting something else entirely.
“No new horror can be more terrible than the daily torture of the commonplace,” taken from the Necronomicon. This is what sets the scene for the title sequence of the not as mainstream film, Martin (1977) directed by George A. Romero